Natasha Ginwala is a curator and writer. She is Associate Curator at Gropius Bau, Berlin and Festival Curator, COLOMBOSCOPE (2019), Colombo. Ginwala has curated Contour Biennale 8, Polyphonic Worlds: Justice as Medium and was Curatorial Advisor for documenta 14, 2017. Other recent projects include Arrival, Incision: Indian Modernism as Peripatetic Itinerary in the framework of Hello World: Revising a Collection at Hamburger Bahnhof - Museum für Gegenwart, Berlin, 2018; Riots: Slow Cancellation of the Future at ifa Gallery Berlin and Stuttgart, 2018; My East is Your West at the 56th Venice Biennale, 2015; and Corruption: Everybody Knows… with e-flux, New York, 2015. Ginwala was a member of the artistic team for the 8th Berlin Biennale for Contemporary Art, 2014, and has co-curated The Museum of Rhythm, at Taipei Biennial 2012 and at Muzeum Sztuki, Łódź, 2016–17. From 2013–15, in collaboration with Vivian Ziherl, she led the multi-part curatorial project Landings presented at various partner organizations. Ginwala writes on contemporary art and visual culture in various periodicals and has contributed to numerous publications. Ginwala is a recipient of the 2018 visual arts research grant from the Berlin Senate Department for Culture and Europe.