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10 Nov 2017

Public lecture with Didier Awadi

Didier Awadi will use this conference to explore the ways in which hip hop has been a vehicle for social activism in Senegal since the 1980s, with a particular focus on his practice as one half of the hip hop group Positive Black Soul.

The group has been at the forefront of hip hop’s collision with civic engagement over the last two and a half decades. During his presentation, Awadi will highlight concrete examples from his own career to assess strategies and methods of social change born from the Five Elements.

About  Didier Awadi

Awadi is one of the most visible gures of African francophone rap. Laureate of the 2003 RFI Musiques du Monde (World Music) prize, he has had the path of a pioneer and trailblazer in a genre that has
in recent years come to dominate amongst young people in Africa and across the planet. With his group Positive Black Soul he has produced several albums distributed in Europe and the United States. At once an artist and entrepreneur, Didier Awadi

is an excellent example of this generation who astutely creates, takes up and uses the technological possibilities of the modern world as well as the long-standing cultural knowledge of the continent. He places
all of this at the service of a music that is always conscious, a music of roots and of messages through which he addresses the world, because he has things to say.

In his rst solo album, Parole d’honneur (“Word of Honour”), released in 2001 uniquely in Senegal, Awadi displayed his judicious pan-Africanism, dealing with a multitude of crucial matters such as debt, squandered cultural heritage and political tensions. In Un autre monde est possible (“Another World is Possible”), Awadi engaged once again with the multiple musical sounds of the world, woven with intelligent texts for a large-scale awakening of consciousness so that all together

we can be certain that another world is possible.

Awadi is also the founder of Studio Sankara, an agency working in audiovisual production and events management where he has trained large numbers of young artists in the neighbourhood of his childhood.

RAW MATERIAL COMPANY

CENTER FOR ART KNOWLEDGE AND SOCIETY

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