Yvon Langué is a curator and graphic designer. He has worked as a curatorial/editorial assistant at Kulte Gallery & editions, Rabat, exhibition assistant at the Marrakech Museum for Photography and Visual Arts, and gallery assistant at Galerie 127 Marrakesh. Currently,  Yvon Langué co-runs —with Soukaina Aboulaoula— Untitled, an Editorial Design, Art Direction, and Curatorial agency based in Marrakech, Morocco. As a collective, Untitled was a fellow at Raw Académie Session 4—Corpus Callosum, directed by Tracey Rose, Raw Material Company, Dakar, 2018. He is also an educator at École Supérieure des Arts Visuels de Marrakech. 

The School of Mutants is a collaborative platform for art and research initiated in Dakar, Senegal, in 2018. Its starting point is an inquiry into the role of universities, public school projects, and academic utopia in post-independence processes of nation-building in Senegal and West Africa; it is informed by wider transnational networks such as the Non-Aligned Movement, Afro-Asianism, and Third-Worldism. A nomadic project that aims to mobilize spaces for the production, transmission, and pluralization of knowledge in a nonhierarchical manner, The School of Mutants engages with sociocultural, ecological, and aesthetic mutations of the real. It produces video works, publications, assemblies, and collective learning situations.

The project borrows its name from the University of Mutants, founded in Gorée, Senegal, in 1977 with an emphasis on nonhierarchical teaching and decolonizing academic epistemes. It connects this short-lived experience with the archives of other pedagogical utopias of that decade as well as literary and theoretical reflections on the figure of the mutant, from Octavia Butler to Édouard Glissant. The School of Mutants invites us to actively think about ways to deconstruct and collectively reconstruct the ideologies seminal to the experimental pedagogical structures that participate in shifting paradigms and recentering discourses on the African continent and beyond.

Moad Musbahi is an artist and curator based in Tunis. He is currently co-curating with the Harun Farocki Institut the research and exhibition project, Teaching Travel, investigating migration as a method for cultural production and political expression, focusing on the pedagogical practices and forms of knowledge that movement engenders. Recent work has been presented in Project Arts Centre, Dublin (2021); Protocinema, New York (2021); Sonic Acts, Amsterdam (2021); Jameel Arts Center, Dubai (2020); Beirut Art Center, Beirut (2019) among others. His writing has appeared in The White Review(2021), Kayfa-Ta Press (2020), AA Files(2019), The Funambulist (2018), among others. He is a recipient of the Goethe Visual Arts Fund (2021), the Sharjah Art Foundation Production Programme grant (2020) and recently a resident at Gasworks, London (2021).